Bach Bibliography Search Result

Series : ^diss.$
Year : 2007
Max number of results shown : 300
Output sorted : serially \(table\)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Morota, Daisuke	Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte.	diss.			2007
	2.	Nic Athlaoich, Róisín	Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis.	diss.			2007
	3.	Chiang, Shih-yi	Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos.	diss.			2007	139p
	4.	Mahlberg, Daniel Sakari	The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28.	diss.			2007	144p
	5.	Burdick, Adam David	The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach.	diss.			2007	159p
	6.	Fleury, W. Leigh	Motivic structure in the chorale-based organ works of Sir Charles Hubert Parry: An analytical survey.	diss.			2007	180p
	7.	Metzler, Patrizia	Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller.	diss.			2007	194p
	8.	Milne, Jennifer Denise	The rhythm of form: Compositional processes in the music of Sofia Gubaidulina.	diss.			2007	195p
	9.	Kattnig, Hildegard	Untersuchungen zur musikalischen Sprache J.S. Bachs Motetten, dargestellt an ausgewählten Beispielen.	diss.			2007	300p
	10.	Zahvatkin, Andrej Nikolaevic	Klavirnaâ skola K.F.È. Baha v istoriceskoj perspektive.	diss.			2007	307p
	11.	Choi, Jeeyoon	A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music.	diss.			2007	315p
	12.	Komm, Thomas Alexander	Die Klaviersonaten von Georg Anton Benda: Geschichtlicher Stellenwert und formale Strukturen.	diss.			2007	320p
	13.	Rhyne, David Ernest	A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach.	diss.			2007	326p
	14.	Franck, Peter Jocelyn	The role of invertible counterpoint within Schenkerian theory.	diss.			2007	333p
	15.	Lindsberger, Herbert	Flüchtigkeit oder beabsichtigte Variation. Die Sechs Suiten für Violoncello solo von Johann Sebastian Bach (BWV 1007-1012) in der Abschrift Anna Magdalena Bachs und deren Übertragung für Viola.	diss.			2007	344p
	16.	Flint de Médicis, Catrina	The Schola Cantorum, early music and French political culture, from 1894 to 1914.	diss.			2007	365p
	17.	Jarvis, Martin W. B.	Did Johann Sebastian Bach Write the Six Cello Suites?	diss.			2007	430p
	18.	Nero, Jonathan Leonard	The a cappella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music.	diss.			2007	46p
	19.	Todd, Richard	The sarabandes from J.S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist.	diss.			2007	67p
	20.	Hampson, Christopher Martin	Pausing for Reflection: Re-evaluating Bach's Use of the Fermata.	diss.			2007	87p
	21.	Boyd, Megan	The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn.	diss.			2007	ii, 147p
	22.	Spierings, Benedikt	Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving.	diss.			2007	v, 95p
	23.	Borthwick, Mary Christine	'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944.	diss.			2007	x, 527p
	24.	Black, David Ian	Mozart and the Practice of Sacred Music, 1781-91.	diss.			2007	xi, 455p
	25.	Cruz, Jennifer	The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance.	diss.			2007	xi, 63p
	26.	Adams, David William	'Modern' Organ Style in Karl Straube's Reger Editions.	diss.			2007	xiv, 222p